Showing posts with label perfect symmetry. Show all posts
Showing posts with label perfect symmetry. Show all posts

Monday, 28 December 2009

TIM'S BOOK CLUB

From KM.com,


Here, There and Everywhere: My Life Recording the Music of the Beatles

I read a lot of music books. I've got a pile of them called things like Tips From Great Record Engineers, which will be endless stories of what microphone they used on the snare drum and stuff. They're specialist to say the least. I've been trying to get back into just reading for pleasure and I suppose also for inspiration, and not trying to get quite so hung up on the technical side of things.

But this book offers the best of both worlds. It's the autobiography of Geoff Emerick, the guy who engineered a lot of the Beatles' most important albums. Being a lifelong Beatles fan, I've read pretty much every book on them that there is. I don't think this one is massively well-known, but I've found it, as a musician, much more insightful, exciting and atmospheric than pretty much any of the others. It's got so much about the creative process of the Beatles. It was interesting to read about the way they spent their time in the studio. You always have this sort of image of the Beatles turning up in a chaotic mess, recording a masterpiece in about three hours, and then speeding off in an E-type Jag to some trendy club. But it really gives you an impression of how hard they worked and how much time they put into their writing and pre-production before they started recording stuff, working out harmonies and polishing up songs. For instance, he talks about sitting there with Paul McCartney all night working on a bassline note by note. I found it quite encouraging, because you always imagine that these guys had an almost supernatural talent to put down these amazing songs and productions without even thinking about it. It's kind of reassuring to know that they had to work really hard for it too.

It's a very, very interesting book if you're into learning about the actual creative process of a band. And this kind of book really does help you as a musician. I was actually reading it while I was writing songs for Perfect Symmetry, and I remember finding it very exciting and having that feeling of being in a room while great music is being made, which is definitely inspiring. It makes you think, "Oh, I could sit at a piano now and try and write a song like that." You get this surge of excitement and a feeling that you can do it too. And that's always a really, really great feeling.

Tim

(This book is not currently in print, but you should be able to find it on eBay or through Amazon sellers)

Tim's Book Club #1

Friday, 18 September 2009

SOVEREIGN LIGHT CAFE

Keane performing new song "Sovereign Light Cafe" Live at the Community Auditorium Thunder Bay in Sept. 17th.
It's such a beautiful and lovely song!!
Enjoy,
Isaxx
PS. You can download the mp3 here!

Saturday, 15 August 2009

KEANE ASIAN TOUR PICS

Hi guys!!

I apologise for not been updating lately. Work is being hard these days after long holidays due to swine flu.
Anyways, I want to share with you some Keane and Tim pics from the Asian tour (Japan, China, Singapure and South Korea). If you like the pics, leave a comment in the green box of the side bar :)

Enjoy them and have a lovely weekend,

Isaxx






You can get more of these bunch here.





Tuesday, 4 August 2009

Q AWARDS 2009 - VOTE FOR KEANE!!!

From KM.com,


The voting is now open for the 2009 Q Awards - which is where Spiralling was awarded "Best Track" in 2008. You can vote for Keane in several of the categories at this year's awards. If you'd like to do, simply click here.
As ever, thanks very much for your support.

I've just voted and I'll continue voting with my friends' emails LOL...

Tuesday, 28 July 2009

KEANE AT SPAIN AND PORTO

Hiya folks,
Ive been searching on the web for more pics and vids from Keane at Vigo and Porto. Here's what I found. Hope you like it.
And to all the Peruvian fans, Happy Independence Day!
Isaxx

Tim pics: first one at Ibiza and the rest ones from Marés Vivas Gaia





Somewhere Only We Know at Vigo



Nothing In my Way at Vigo



We Might As Well Be Strangers at Vigo



Under Pressure at Vigo



You Don't See Me at Marés Vivas Gaia



Atlantic at Marés Vivas Gaia



Perfect Symmetry at Marés Vivas Gaia

Saturday, 18 July 2009

T IN THE PARK - PART 2

There is more stuff about Keane's performance in T In The Park Festival for your pleasure.
First, we're going to start with some screencaps which were found in the OB:





Secondly, here's a nice interview to the fellas.



And...here are some links to download Keane's performance.

By wrightk15

BBC 3 footage http://www.megaupload.com/?d=ZF3738JX
Red button interactive footage http://www.megaupload.com/?d=8EV7RQIP
BBC Interview http://www.megaupload.com/?d=D71W4TOM

By funnyface

All the gig but in flv format http://rapidshare.com/files/255871177/BBC_-_T_in_the_Park_2009_-_Keane.flv.html

Have a nice weekend! ;)

Saturday, 4 July 2009

TIM'S GLASTONBLOG

From KM.com,

Tim's very kindly written a blog/diary letting us know what he's been up to since Keane's last show, in Sweden on June 25th...

Wednesday/Thursday

After a lovely couple of days in Copenhagen we headed up to Borlänge in Sweden. We had the best part of two days off there since we weren’t playing until 00.30 on Thursday night. I spent most of the time either working on new tracks or sunning myself in the park. Some large and delicious ice creams may also have been consumed.

Lykke Li was playing just before us on another stage, so we watched as much of that as we could. She was utterly brilliant – I love Youth Novels but hadn’t seen her live before – much more arch and dramatic than I had imagined, and a great singer too. I was kind of blown away by it, to be honest.

Anyway, I rushed back from that just in time to go on stage, only to be greeted with rumours that Michael Jackson had died. Felt pretty deflated after that, but the gig was still fun and the crowd were incredibly friendly. Backstage we ran into Anders Friberg, who, as tour manager of The Ark, brought us over to Malmo in 2003 (I think) for our first ever gig outside the UK.

Friday

Flew back to the UK after a refreshing 3-hour sleep. Tom and I went straight from Heathrow to Glastonbury Festival. By the time we were settled in and ready to delve into the action, the rain had stopped and the vibes were rosy. Below is a brief and highly subjective report…

Puppini Sisters – glamorous, gorgeous and brilliant as ever.

Little Boots – wanted to check her out as she seems to be suffering the inevitable backlash that comes with being popular. Maybe a little cold I thought, but the songs are great and that’s what matters most to me.

The Ting Tings - amazing to see them playing to such a massive crowd, but they’ve got so many brilliant songs and everyone was loving it. Their video stuff was pretty great too.

Ray Davies – bit of a difficult choice between Ray Davies and Neil Young, but I followed my heart. It was the most enjoyable and emotional gig I’ve ever been to. Every song was a true classic, people were belting them out, willing him on with love, tears were shed. He did four encores, and we still wanted more.

Saturday

Did a lot of chilling out, but still had time for a bit of music.

La Roux – did the 17-mile walk over to Dance East only to find we couldn’t get anywhere near the tent, let alone in it. Quite right too – she’s fantastic.

Passion Pit – really fun. Lots of synth geekery (which I love, of course), and a much more friendly, less uber-cool vibe than I expected, which is an extremely good thing.

Dawdled around the Sensation Seekers stage for a bit of the excellent Dynamo Rhythm Aces, a bit of weird drunken intra-audience kissing choreographed by a hilarious compere, and a bit of Sheelanagig before taking up our positions for The Boss.

Bruce Springsteen - a masterclass in working a huge crowd, not to mention the phenomenal musicianship. But too slick for me. The hyperbole and passion didn’t feel real, but maybe I just wasn’t in the zone. And more to the point, I may just be sulking because I was pinning my hopes on him playing Girls In Their Summer Clothes.

Sunday

Kind of planned for a day lolling around at the Mi7/Chess Club stage in the Departure Lounge.

Beans On Toast – recommended by Jesse. A rambling and very splendid blend of half-songs and genius philosophising.

Glenn Tilbrook – arrived at the Avalon tent to find Teddy Thompson had cancelled. But in his place was the legendary Mr Tilbrook, who ran through a few of Squeeze’s many classic tunes accompanied by his six-year-old son Leon on percussion. Pretty fantastic.

King Charles – back in the Departure Lounge, which frankly had been pretty empty all weekend. There were suddenly hundreds of people crammed into the tiny and incredible hot tent in anticipation of the wondrous triple-bill of King Charles, Mumford and Sons and Laura Marling. King Charles was rocking, and his band were really beautiful, grooving players. Something that hit me over the weekend was how many brilliant musicians and bands there are everywhere you look (and listen). It’s both intimidating and inspiring.

Mumford and Sons – such a great live band, and you can feel that they’re riding high. There was a real sense of excitement and goodwill in the room for their set, everyone screaming along and Marcus charming our pants off as usual.

Blur – things were running an hour late on the Mi7/Chess Club stage by that point so I had to tear myself away from Laura Marling in favour of the band that soundtracked so many great moments of my youth. Blur’s set was everything I had missed in Saturday night’s headline show. The nerves, the tears, the genuine elation and love (from both band and crowd) – it was real and magical in a way that must be almost impossible in a gig of that scale. It also helped that for so many of us each song was like a cherished photograph of a beautiful time; we thought we’d lost all those photographs, but actually they’d just slipped down the back of the sofa.

Blur really are such a truly great and distinctive band, and to hear them play again was to be reminded of just how many perfectly-crafted songs they’ve written, and how many varied styles they explored together. Again, an inspiration to us all.

Back to reality

Monday morning was pretty brutal, another 5am alarm call. But there are always things to do in Keane-land. This week has seen more work on the K’naan tracks – some brass overdubs with our old friend Jerry Clack, who we last played with about 14 years ago, plus some finishing touches (hopefully) on the other song. The latter sounds pretty amazing in my opinion, but I am a little biased, I suppose.

Right, I need to pack for Beirut, Dubai, T, etc. See you there!

Tim

Monday, 29 June 2009

TIM INTERVIEWED BY RADIO BREMEN

Remenber about the Hurricane Festival in which Keane was in? There's a little interview (8.50m) with Tim by Radio Bremen which you can listen here. He talks about the feeling of working in Berlin, working with Gwen Stefani, about the show, a posible artist he'd like to work with, etc. It's well worth it!






Friday, 19 June 2009

TIM ANSWERS YOUR QUESTIONS - PART THREE


Yes, it's time for the third and final batch of Tim's answers to your questions. Huge thanks again to the hundreds of you who sent in questions, sorry we couldn't ask all of them. And thanks, too, to Tim for the answers.

Do you like and practise any other Art like painting, sculpture....? LN
Tim replies: I would love to, but I rarely get round to it. I’m not great at drawing or painting, although I do enjoy both. I’d really like to get into screenprinting. I might go on a course once this touring cycle is over.
Where did you met Jesse? Sharon Müller:) from Mexico
Tim replies: He was on the crew for one of our arena tours, helping out Colin and Ant.
Keane recently worked with the Canadian-Somaili rapper K'naan. Given the diversity of your backgrounds, did you experience any problems communicating your ideas, or is music truly the "universal language?" Elizabeth from Seattle, USA
Tim replies: In my experience good musicians tend to have a mutual respect for each others' ways of working. With K’Naan it felt form the start that we were all excited to be in a room together and there was a great sense of possibilities. It’s certainly true that some (though not all) of his history and cultural background is wildly different from ours, but it’s funny how people from all over the world and all kind of different backgrounds tend to feel passionately about the same things. The songs we worked on were about quite basic aspects of the so-called "human condition" – time, fear, love, regret. He’s a cool guy and very easy-going, but also very observant and incisive in his lyrics.
Hi Tim. I really liked your cover of 'These days'. It's fantastic. Are thinking of doing another? Katia from Peru (yay!)
Tim replies: Thanks! Maybe I’ll do another...I have a couple in mind. But there never seems to be enough time...
Hello tim. you write such amazing words, i wondered if family & friends expect something poetic on their birthday cards other than "from tim" thanks always donna x
Tim replies: Probably! Unfortunately I’m always terrible at soundbites and saying the right thing generally. That’s probably why I started writing songs. If I had my way I would probably only communicate in songs. I could be like Julie Andrews or something, breaking into song whenever I have something significant to say. (Julie Andrews-related trivia factette – our first album was nearly called A Spoonful Of Sugar – Tom’s idea.)
Is there any Bside song that you really think it should have been put on the album? so you kinda regret it that that particular song was "only" a Bside song and you like "oh! i should`ve put this one instead of this one"?? coz all Keane's Bside songs are also wonderful!! Have a spectacular Day!! Feya from Indonesia
Tim replies: Well, there are a few B-sides that we all really love. Snowed Under is one of those. Fly To Me is one of my favourite Keane songs. I’ve always liked Thin Air too. But I wouldn’t necessarily put them on an album. I think it’s good to have a few gems that are hidden away and a bit harder to discover.
Have you ever been driving down the road and had to pull over because of an inspiration to write? Maggie USA
Tim replies: Yes, often. I normally call my own phone and leave a message.
Have you ever Googled yourself? (shit! I'd redie if he found this blog) Brenda from Buenos Aires
Tim replies: When I read your question I thought I’d give it a try. There’s a lot of nonsense of the internet! My Wikipedia page looks like it’s pretty hit-and-miss. People tend to conflate different events and stories to make one neat story, and it all gets a bit confused.
Hello Mr. Rice-Oxley! What is your favorite game? (I mean anything like a board game, card game, mind game, etc.) Mia (Portland, Oregon)
Tim replies: MarioKart Wii is pretty brilliant....I could lose days playing that. I’ve never been very into board games or cards, although I used to play vingt-et-un (pontoon) with my Dad when I was a kid. He had this great old set of chips, and it felt like we were playing in some smokey club in India in the 1930s.
My question is simple~Do you have a favorite book that you read over and over again? Ellie~Charlotte, NC
Tim replies: Two books I read over and over again are Revolution In The Head by Ian MacDonald and U2 At The End Of The World by Bill Flanagan. They’re both utterly brilliant. Another is Any Human Heart by William Boyd, but I find that one so emotional that I have to have a long break between readings! I’ve read Asterix In Belgium quite a few times too.

Gotta love this man! I'm satifisfied with this Tim's Q&As even though my question wasn't chosen. Maybe next time. Have a nice weekend!
Isaxx

Thursday, 18 June 2009

TIM ANSWERS YOUR QUESTIONS - PART TWO


We're back with the second batch of Tim's answers to the questions which you very kindly sent in. Check back tomorrow for the final ten.

You have so many freaky T-shirts ( for example the one with the zebra on it), well, where do you get these shirts? Jana
Tim replies: I recommend a company called to-orist, and another one called graniph.
Heey! Why do you guys always finish the shows with Bedshaped? Beatriz Russano from São Paulo, Brazil.
Tim replies: It’s such a gargantuan song, with so much passion and soul-searching, that nothing else can follow it. We’ve tried, but it’s so final that it has to be at the end of something. Some songs are just like that. Atlantic always feels like it should start a section, for example.
Hi Tim, I was just wondering what you remember as being the best gig Keane has ever played at? Katie from San Francisco
Tim replies: There have been some great ones lately. The two Sydney gigs were pretty phenomenal. The second O2 show in February was very special to us because we were really in danger of having to cancel. Tom was really sick and his voice was already going by halfway through the previous night at the same venue. He got a shot of steroids the next day but it didn’t seem to make any difference. Then about ten minutes before we went onstage the drugs kicked in! Tom was still really ill but we all gave it everything we had and it turned out to be a really great show. It felt like a real victory for us.
What color is your toothbrush? Ellen Y, Seattle
Tim replies: Green and white. I need to get a new one actually, thanks for reminding me.
Do you ever read the fan comments on km.com, and if so, what sort of feelings do they generally stir? Mandy
Tim replies: Yes, quite often (I might die). I like to know whether people are leaving shows feeling happy or unsatisfied. Generally people say amazing things on km.com, and that’s very encouraging for us. I feel very proud of our fans. It’s a great community of people all over the world, and the website and forum are both intelligent, positive places still, unlike many such forums that descend into weirdness and negativity very quickly. We genuinely feel grateful for all the love and support we get on the website and elsewhere – Keane fans are incredibly loyal and very generous, and I’m glad to be a part of that.
Which is the place or country that you want to visit and you haven't? Alejandro Arriola from Guatemala
Tim replies: Oh, there are plenty. Guatemala, obviously! Peru (ok, I died). New Zealand. India. China. It’s a big world and it feels like we’ve barely got started.
Who is saying what at the end of The Lovers Are Losing? I've always wanted to know! Thanks, Grace
Tim replies: That was me saying to Tom, “We should get some Under Pressure-style finger-clicks on here”. Jake (who engineered the album) chopped it up and slowed it down, so it just says “Get some Under Pressure style” in a weird voice.
What makes a great show “great”? With so many gigs in so many cities and countries to call upon, what makes a certain gig really stand out from the rest? Greg USA
Tim replies: The first thing is feeling that we’ve given everything and played the best we possibly could. The rest is kind of down to luck and a good atmosphere in the crowd. Sometimes you just get a magical vibe on stage and in the crowd, and everything just feels exciting. You never know what it’s going to be like when you hit the stage, which I guess it what makes playing live endlessly exciting.
Do you ever get a sore neck after a gig? From, TomMelbourne, Australia
Tim replies: Yes! It aches the whole time. Sometimes I feel like my brain’s going to come out of my ears, and occasionally I get really dizzy (especially after Is It Any Wonder? and Again And Again) and can hardly stand up straight on stage! Probably not that good for me in the long run, but you just get caught up in the moment.
One of my favourite Keane songs is The Happy Soldier but I read somewhere that you won't re-release it as your views have changed. If this is true, I was wondering what the song is about? and how have your views changed? From Imyy, UK
Tim replies: That’s not the case. It’s a song about a soldier being afraid and wondering why he’s off fighting some pointless war far from his home. I suppose the lyrics are very tongue-in-cheek, which makes them open to misinterpretation. It was one of the first songs I wrote and it’s a subject I still return to a lot, for example in A Bad Dream. I think we may even release it very soon!

Wednesday, 17 June 2009

TIM ANSWERS YOUR QUESTIONS - PART ONE


Last week, we asked you, the good readers of km.com, to email us questions to ask Tim. Hundreds upon hundreds of you did just that (big thanks to all of you). We read every single one of them and then sent Tim our favourite 30. We'll be running the answers over the next few days, starting right about now...

Have you ever been approached to compose a soundtrack for a movie and would you do it if asked? Tosh, Miami, Fl USA
Tim replies: Not a full soundtrack, but we’ve often been asked to write songs for movies. My Shadow was actually written for the closing credits of a big film.
Time To Go has the hallmarks of a classic intriguing Tim song - in that it isn't clear who the subjects are in the story. Is this particular song a recollection of someone saying Time To G' to Tim personally, or of Tim saying this to another person, or Tim witnessing someone saying this to someone else, or something else!? In short, who is the song about and what was the occasion? Jane A
Tim replies: I wrote it after a party in London a couple of years ago. I was nervous because I didn’t know anyone, and compensated by drinking a vast amount of champagne. It was a fun night with lots of dancing and great music, but on my way home I refused to get off the train because I thought we were at the wrong stop; then I tripped over and accidentally head-butted my wife, in a Superbad-stylee. It’s generally not my style to behave that way, so I guess I wrote the song as a warning to myself.
Hi Tim! I seem like a real saddo saying this but on the Everybody's Changing 1.34 into the video (the little 4 bar break) you play a C instead of a D, any reason or didn't you know!? I shall go and get a life now! Ollie Gwyther
Tim replies: Ha – I’ve no idea! Either I made a mistake, or the director just edited in a bit of footage that doesn’t sync with the music. Dear Tim, I noticed that many of your songs have to do with or mention the ocean or water of some sort (Atlantic and UTIS, obviously, but also The Lovers Are Losing, Black Burning Heart, and Crystal Ball).
Is there a particular reason for this or do you just feel a connection with water?--Kelsey
Tim replies: I’m sure a psychologist would have something to say about it. I guess the ocean has always inspired people. It’s a powerful thing to behold something so massive and almost boundless – I think it makes us think about our mortality and how small we are. When I was a kid we used to go down to Bexhill on Sunday afternoons and I always noticed old people who had driven down there and just sat in the cars looking at the sea.
Hi Tim. How do you start off writing a song? I'm trying to do so at the moment and I'm finding it really difficult getting ideas down. Could you give me any tips? Elliot, Isle of Man
Tim replies: Buy a Dictaphone, so you can note down your ideas quickly. I tend to sit at the piano, or a synth, or with a guitar, and play chords and sing over the top. Eventually (on a good day) a melody and some lyrics start to take shape. You have to be patient though, and you have to focus and work hard. The old cliché about “1 per cent inspiration and 99 per cent perspiration” is totally true. My ideal is to sit at the piano for about 8 hours and play without interruptions. Sometimes I have to do that for three or four days before anything good emerges. But something good will come out eventually! The key is to not be afraid to try different ideas or styles. If you play the same four chords over and over again for hours and try singing in a bunch of different styles, with different words over the top, you’ll hit upon something eventually. And always finish a song before you give up on it.
Hi Tim! What is the hardest song you have ever composed / written and why? (I asked the same T-T, no fair!) Wouter, the Netherlands
Tim replies: Hmm. I found Crystal Ball very hard. I just couldn’t write any lyrics for it, and I tried a bunch of different things. It took me months and months. I’m still not happy with the chorus. It’s totally impassioned and a very deep song, but it comes across as simplistic, I think. You Haven’t Told Me Anything took a while too, I think because it’s a song with short burst of melody and I had a lot of information I wanted to pack in. But I kept chipping away at it and I’m really pleased with the lyrics for that one. It’s one of my favourite Keane songs.
What is the first thing you like to do when you get home from being on tour? Alice
Tim replies: Have a bath. :O :P
Just wondering about My Shadow and why it didn't make the album (although the album was still great without it). John, USA
Tim replies: As I mentioned above, I wrote the song for a film. The nature of the movie steered the lyrics of the song, but out of context I didn’t feel the lyrics were strong enough, and they didn’t seem to fit with the tone of the rest of the album. Everyone else wanted to put it on the record and I kept fighting against it. To be honest I think I was wrong on that one!
Have you ever written a song drunk? josé carlos villalobos yañez
Tim replies: I need all my wits about me to write. I remember doing some demos with Tom many years ago when we were both a bit drunk. We listened to it all the next day and it sounded shit, so we kind of learned that lesson early!
In This Is The Last Time - why does Tom always sing the first few lines specifically to you? (Love it but have never understood why). Sue
Tim replies: Probably because it’s just me and him playing at that point. It gives us a chance to engage in the middle of a gig. And he likes to wind me up by standing on my piano!

Wednesday, 10 June 2009

NEWS AND VIDS

This Friday!

Tom, Tim & Richard take over Y-Rock On XPN in Philadelphia this Friday night at 9pm ET. The guys will pick out some of their favorite tunes from Blur, Grizzly Bear, Jeff Buckley and more. Plus hear some songs performed live in the studio. If you're here in Philadelphia, you can tune in on the radio at 88.5 XPN or listen anywhere in the world via the Y-Rock Webstream at http://www.yrockonxpn.org/

Pinkpop at Youtube

Yes! It is finally there. All the vids were uploaded thanks to laiswike which you can see his profile here

This is the one I love at the moment. Although some technical problems were at the beggining, I think it sounded great as it always does when this song is played live. We gotta love Timmeh!

You Haven't Told Me Anything

Under Pressure



Somewhere Only We Know




And a good interview at Tokio

Monday, 8 June 2009

From KM.com,


Those of you who've been hanging around keanemusic.com for a wee while will remember that we used to have a little feature called Ask Keane, whereby you could send in questions and we'd get the band to answer the best ones. Well, we've decided to revive it. So, if you have a question for Tim, please email it to ontour@keanemusic.com before 7am (UK time) on Friday June 12th.

We'll send the most original and interesting ones over to Tim to answer. (We'll be doing the same with the others in following weeks.)

If you wanna read last Tim's Q&A just click here

Friday, 5 June 2009

MORE ROB'S N.AMERICA PICS

From KM.con,

Here's the final batch of Rob's pictures from the North American tour. Big thanks again to him for sending them in.


what a view!!!!
Have a good weekend, wherever you are.

km.com and also isafanhp.blogspot.com *wink*

Saturday, 16 May 2009

Tuesday, 5 May 2009

CHERRYTREE SESSIONS EP RELEASED - WATCH VIDEOS

From KM.com,


The Cherrytree Sessions EP, featuring featuring three Keane songs recorded live at The Cherrytree House in LA, is released in the US today. The three songs - intimate renditions of Somewhere Only We Know, Perfect Symmetry and The Lovers Are Losing - are available on CD exclusively via Borders stores and across all US digital retailers.

For those of us outside America, our consolation prize comes in the shape of four terrific videos of the session which you can watch online http://www.cherrytreerecords.com/ now.

*I'm trying to record them to upload it to youtube. I'll let you know as soon as possible ;D The vids are soo good!

Thursday, 16 April 2009

KEANE FUNNY VIDS!

This one is from KM.com, it's the behind-the-scenes mini-documentary from Keane's recent 3D webcast at Abbey Road.


KEANE - 3D Documentary from keaneofficial on Vimeo.

This one is extremely funny, it's Keane at Chris Moyles Quiz.

Wednesday, 1 April 2009

YOU IN YOUR 3D GLASSES

From KM.com,

Big thanks to all of you who've sent in pictures of yourselves wearing your 3D glasses. We've put 48 of them together to make one picture. If you'd like to see a bigger version, then click the image below:

I thought to post the pic above because my dog appears on it. Looks so cute. It is the one below in black and white :P

Tuesday, 31 March 2009

WHAT TIME IS THURSDAY'S WEBCAST WHERE YOU ARE?

From KM.com,

As you know, on Thursday (April 2nd) Keane will be unleashing the world's first ever live 3D webcast, from Abbey Road Studios in London. It kicks off at 8pm in London. But what time is that where you are? Here is the answer...


* means the time shown is adjusted for daylight saving time or summer time
Let us know below where you'll be tuning in from...